Types are embossed on clear papers using letterpress methods.
I made it sculptural in order to actually be able to touch the message.
I realized that books do not have to be bound like a codex book.
The book — chaos — is bound to be read by rotating through
a three-dimensional space. By interacting with the book in this manner,
the viewer is fully engaged in the action of exploration, and builds
a very close relationship with the work. Without someone to interact
with the book, the meaning of the book gets partially lost.